Is there a thing like too much sex in movies?

5 06 2007

Sex in movies is interesting but to a point. It adds artistic value but to a point. Why is it that sexual perversity or the erotica takes over characterization in movies? I have a specific movie in mind – “Where the truth lies”. It has got the best actors – Kevin Bacon and Colin Firth. There was a murder, a journalist trying to uncover the truth behind it and loads of sex. A lot of it did not even add value to the plot and was irrelevant almost.

Depravity on television and in movies in some way makes us feel good about ourselves and helps us feel we are above something. I have always believed that people who watched horror movies associate tragedy/horror with their lives. But I can’t imagine why people with good plots would go all the way to unnecessarily eroticize. In this piece I am not trying to say anything – just wondering aloud.

I can’t get over the fact that the most beautiful, natural biological thing can be so degraded and made to look like an end in itself; like something that drives a persons life and all else revolves around sex. I don’t seem to understand this at all.





Rand – Her Style – Literary or otherwise.

26 04 2007

I have always wondered what is it that is so captivating about Rand’s style, why does she make you look at your toes in shame sometimes and look at the sky in splendour.  I recently read a play by Henrik Ibsen, called “An Enemy of the People”.  The theme is the atrocities of the majority and their total immunity to the TRUTH.  Both Rand and Ibsen have conveyed objectivist beliefs and philosophies and have pitted individual conscience against the alleged soul of the community.

What i personally love about Ibsen is his simple style interspersed with humour that makes great reading.  For eg:- Dr Stockmann’s trousers are torn after his speech to the town and he says that no one should wear his best trousers to address a town full of brutes.  Yet his simplicity does not fully convey all that Rand conveys through her characters.

Rand is a teacher and she teaches you the philosophy of objectivist thought.  She does not ask you but displays through contrast what is and what should be.  I think of all the characters she has devised my favorite would have to be Peter Keating (never mind that I dont agree with him).  She has dressed him like fungus – so everytime you pit your actions/ reactions against Peter Keating and come close you need to re-think.  Ayn Rand does not advocate her ideal man just pits him in contrast to the complete opposite of the ideal man and lets her readers see the difference for themselves.  Her style is most hardhitting in The Fountainhead.  One see reactionary traits in “We the Living” and her other earlier works.  But she comes very close to Fountainhead in the “Night of January 16th”.  The entire play being placed in the Court of LAW where the law supports the criminal owing to his status – is very apt mirror of our society today.

Her style is not an author screaming to express himself, but calm and composed like her protagonists.  The turning points are described without any element of thrill and thats what makes her unique.  She does not advocate sex for the sake of it but shows the difference between animal sex which has the sanction of society as against sex that is pure for it is only based on an acknowledgment of animal instincts and is obviously without the sanction of scoiety.

Rand’s lead female in the Fountainhead – Dominique – displays Rand’s own style of proving by contrast though in the case of Dominique she could only achieve it by a path of self destruction.  However, if you ask me why she committed suicide I would never say that it was because she was like her female protaganist but rather like Gail Wynand.  I dont think a woman of her character can ever commit suicide because she was driven to it.  I think she chose that as an end.  She had acheived all she wanted to and chose that moment to end her life.

That is also in keeping with her style.